Winner of the Acoustic Guitar Magazine Players' Choice Award, 2 Telly Awards and an AEGIS Award for Excellence in Education, Learn & Master Guitar is the best instruction course anywhere. It has 20 DVDs, 5 Jam-Along CDs, and a 100+ page lesson book.
Winner of the Acoustic Guitar Magazine Players' Choice Award, 2 Telly Awards and an AEGIS Award for Excellence in Education, Learn & Master Guitar is the best instruction course anywhere. It has 10 DVDs, 5 Jam-Along CDs, and a 100+ page lesson book.
The Learn & Master Guitar Student Edition is a Complete 2-Year Guitar Curriculum Designed for Home Study. It Contains Our Full Extended Guitar Course plus: 68-Page Teacher's Guide (With Full 2-Year Scope-and-Sequence) and 2-DVD Teacher's Resource Set.
The Home School Edition includes a 68 pg. Teachers Guidebook (with a 2-year scope and sequence!) This guidebook was developed to help Teachers/Parents know when their Students are ready to advance to each next lesson. In addition, there are 2 Teacher Resource DVDs. These are what you'd get in this upgrade package.
Winner of the Acoustic Guitar Magazine Players' Choice Award, 2 Telly Awards and an AEGIS Award for Excellence in Education, Learn & Master Guitar is the best instruction course anywhere. It has 20 DVDs, 5 Jam-Along CDs, and a 100+ page lesson book.
We've added 10 more DVDs with additional songs, exercises, and workshops for each of the original 20 sessions that were already included on the first 10 DVDs. You can upgrade your course by purchasing the 10 new Expansion DVDs for only $50.
Our Spotlight Series on Blues Guitar is an in-depth course in blues guitar playing—the real nuts and bolts. You’ll get what you need: the musical understanding, the concepts, chords, techniques, and riffs that will help you play great blues guitar.
Our Spotlight Series on Guitar Setups will show you step-by-step how to set up your guitar in your own home using a few easy-to-use tools. You’ll make basic adjustments to your guitar so you end up with a better playing and sounding instrument.
The Banshee custom guitar is one of the most technologically advanced guitars in the world. It has an on-board fuzz, pitch shifter and divided pickup. An RF antenna on the upper horn can be used (like a theremin) to control the fuzz. This video is of the raw guitar sound played through a Mesa Boogie Road King head and Mesa Boogie 4×12 Rectifier cabinet. You can see the effects in use in the Demo video.
Riff song in — S T E R E O — is played on the 1963 Gibson SG Special guitar and the 1963 Gibson EB-2DC bass guitar. This is a song reminiscent of Booker T & The MG’s Freddy King and maybe even a little Link Wray. I recorded the guitar through a 1968 Fender Vibro Champ amp and recorded it on my Yamaha AW1600 workstation. This is a “dry” recording — no EQ and no effects, just live sound. I HOPE YOU ENJOY IT
So as soon as I got the Les Paul I had to go over all cliched and do an improvised redition of Eric Clapton’s ‘Hideaway’ from the John Mayall Bluesbreakers ‘Beano’ Album;
The first recording of a Gibson Les Paul and Marshall amp together…
I wonder if Eric knew he was creating history?
Well I don’t have a spare £300,000 to buy and original 1959 Les Paul Standard or an original Marshall JTM 45 for that matter so here goes with my 2005 Les Paul Standard and 2007 VOX AC30 CC2, overdrive as always on my videos is courtesy of my beloved Rat pedal.
I hope you enjoy. As always any comments would be much appreciated.
This is a — S T E R E O — recording of my blues instrumental “Stormy Tuesday Blues” with me playing lead guitar on the 1967 Gibson SG Custom guitar. I bought this guitar in 1977 but have not played it for quite a few years. The lead parts are recorded live though a 1968 Fender Vibro Champ amplifier — no studio tricks or effects here. I played rhythm guitar part on a 1974 Electra Les Paul “Super Rock”, the bass on a 1974 Ibanez Jazz Bass, and the drums on a 1992 Boss DR-660 Dr. Rhythm. I recorded the lead parts live on the Yamaha AW1600 workstation.
I am definitely going to record more songs with the 1967 SG Custom this is just the first. I think you will agree it gets a unique and beautiful guitar tone.
If you have high speed internet you can use the following link to hear this clip at a slightly better sound quality notice the &fmt18 at the end
here is a new “VS” guitar battle type thing. but there are a few differences in this one. for starters, i actually recorded a whole backing track and laid down the audio for solos afterwards just like my little chaos songs. also, to clarify. the Les Paul was used in recording the Rhythm parts of the whole song and i figured i’d use it to show the last parts of the song even though i used all 3 during that part. each “solo” part was played over the same tracking and length etc. any questions just ask. oh and yeah, my dad walks in during the Explorer part haha. after 280 or so videos, he finally interupted me.
The Banshee custom guitar is one of the most technologically advanced guitars in the world. It has an on-board fuzz, pitch shifter and divided pickup. An RF antenna on the upper horn can be used (like a theremin) to control the fuzz. This video is of the raw guitar sound played through a Mesa Boogie Road King head and Mesa Boogie 4×12 Rectifier cabinet. You can see the effects in use in the Demo video.
Extreme slap on the bass guitar
Riff song in — S T E R E O — is played on the 1963 Gibson SG Special guitar and the 1963 Gibson EB-2DC bass guitar. This is a song reminiscent of Booker T & The MG’s Freddy King and maybe even a little Link Wray. I recorded the guitar through a 1968 Fender Vibro Champ amp and recorded it on my Yamaha AW1600 workstation. This is a “dry” recording — no EQ and no effects, just live sound. I HOPE YOU ENJOY IT
http://learningguitarnow.com/blog/blues-dvd-4-video-update/
So as soon as I got the Les Paul I had to go over all cliched and do an improvised redition of Eric Clapton’s ‘Hideaway’ from the John Mayall Bluesbreakers ‘Beano’ Album;
This is a — S T E R E O — recording of my blues instrumental “Stormy Tuesday Blues” with me playing lead guitar on the 1967 Gibson SG Custom guitar. I bought this guitar in 1977 but have not played it for quite a few years. The lead parts are recorded live though a 1968 Fender Vibro Champ amplifier — no studio tricks or effects here. I played rhythm guitar part on a 1974 Electra Les Paul “Super Rock”, the bass on a 1974 Ibanez Jazz Bass, and the drums on a 1992 Boss DR-660 Dr. Rhythm. I recorded the lead parts live on the Yamaha AW1600 workstation. 
Here is my 11 year old son playing a blues jam while I, his proud mother, play piano. 
He’s been playing guitar for about a year now.
here is a new “VS” guitar battle type thing. but there are a few differences in this one. for starters, i actually recorded a whole backing track and laid down the audio for solos afterwards just like my little chaos songs. also, to clarify. the Les Paul was used in recording the Rhythm parts of the whole song and i figured i’d use it to show the last parts of the song even though i used all 3 during that part. each “solo” part was played over the same tracking and length etc. any questions just ask. oh and yeah, my dad walks in during the Explorer part haha. after 280 or so videos, he finally interupted me.
albert king ill play the blues for you