For Michelle.
Perry released his first solo record, the self-titled Joe Perry, in May 2005. Recorded at his home studio (The Boneyard) in suburban Boston, with every instrument but the drums played by Perry himself. Critics also responded favorably; Rolling Stone magazine crowned it with three-and-a-half (out of five) stars, declaring “A Joe Perry solo joint? about time!” He was also nominated for “Best Rock Instrumental” at the 2006 Grammys for the track “Mercy” but lost to Les Paul.
The main guitar ociated with Joe Perry is the Gibson Les Paul. He has used many different types of Les Pauls since the 70s, including Les Paul Juniors, Les Paul Standards, and Les Paul Customs. In the 1990s and early 2000s, Gibson issued a Joe Perry signature Les Paul guitar; this guitar was customized with an active mid-boost control, black chrome hardware, and a translucent black finish. However, in 2004, this model was replaced by another Joe Perry signature Les Paul, the Joe Perry Boneyard Les Paul. This guitar is characterized by Perry’s custom “Boneyard” logo on the headstock and a figured maple top with a green tiger finish, and is available with either a stopbar tailpiece or a Bigsby tailpiece; Perry typically uses a Bigsby-equipped Boneyard model in Aerosmith and solo live shows. The Gibson Joe Perry was a present from his wife Billie and then he was allowed to manufacture it. Perry has also endorsed an affordable replica version of the Boneyard guitar made by Epiphone that carries the same USA made Burstbucker pickups as the Gibson model.
Perry also uses other Gibson models. Another model he uses frequently is a customized Gibson B.B. King “Lucille” guitar; however, instead of the black finish and “Lucille” signature on the headstock, Perry’s guitar features a white finish, a “Billie Perry” signature on headstock and an image of Billie Perry on the front of the guitar. He has also used Gibson SGs, Firebirds, ES-175s, ES-335s, and ES-350s at various points in his career.
Perry has been known to play guitars of other luthiers and manufacturers. In the late 1970s and 1980s, Perry frequently used various Fender Stratocasters; many of these guitars were left-handed Strats turned upside-down and appropriately restrung. One of these “upside-down” models is still played occasionally by Perry onstage, usually for “Sweet Emotion”. Perry also uses Fender Telecasters, some modified with neck humbuckers. In the late 1970s and early 1980s, Perry (along with fellow Aerosmith guitarist Brad Whitford) endorsed B.C. Rich guitars, and frequently used the Mockingbird (such as in the performance of “Come Together” in the film Sgt. Pepper’s Lonely Hearts Club Band) and 10-string B.C. Rich models. He has also been photographed playing what looks like, judging by the headstock logo, a custom built Spector guitar during the 80s.
The six-string bass guitar is a trademark of Perry’s guitar sound; instead of playing it like an ordinary bass guitar, he uses it like a regular guitar, playing riffs, chords, and solos. The six-string bass helped to create the characteristic growl of Aerosmith’s “Back in the Saddle”, “Combination”, and “Draw the Line”. In the past, Perry used Fender Bass VI and Danelectro six-string basses; he also used a Gibson EB-6 for the bass solo on “King of the Kings” on the Joe Perry Project’s Once a Rocker, Always a Rocker album (as indicated by the album’s liner notes). Perry currently uses an Ernie Ball MusicMan six-string bass onstage.
For amps, Perry uses vintage 200 watt Marshall Major amps on stage. In the studio he uses various vintage low wattage tube amps.
For slide work, Perry typically uses a Dan Armstrong Lucite guitar, such as for “Draw the Line”.
Joe has also been known to use a Pro Co RAT Distortion Pedal, a Klon Centaur overdrive, a talkbox, a Crybaby wah and a Digitech Whammy pedal.
Joe Perry currently has a collection of over 600 guitars.
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Technorati Tags: instrumental, Joe", Mercy, Perry, rock, sleekdark, solo
I’m back! I just got the Boss Digital Delay pedal, so I gave it a try with The Echo Song by Paul Gilbert. Many mistakes, but I did my best at the time… ^^
“Waterfall” is an original instrumental played on my Taylor GS6. I hope you like it. leave a comment and let me know what you think of it
This is a — S T E R E O — recording of my blues instrumental “Stormy Tuesday Blues” with me playing lead guitar on the 1967 Gibson SG Custom guitar. I bought this guitar in 1977 but have not played it for quite a few years. The lead parts are recorded live though a 1968 Fender Vibro Champ amplifier — no studio tricks or effects here. I played rhythm guitar part on a 1974 Electra Les Paul “Super Rock”, the bass on a 1974 Ibanez Jazz Bass, and the drums on a 1992 Boss DR-660 Dr. Rhythm. I recorded the lead parts live on the Yamaha AW1600 workstation. 
Some funny stuff I made for the New Year dedicated to my Jamaican friend Speedy. Recorded with Gibson Les Paul, Radial Plexitube and Mesa Express combo.